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SAMUEL ENRIQUE BARRERA CEBALLOS
Visual artist specialized in painting, a law degree, was born in Merida, Yucatan, Mexico on December 28, 1967. Self-taught, Mexican, Yucatecan and living in Merida, with 5 solo exhibitions and more than 20 collective, was member for five years of “Blue Spiral 1” Gallery in Asheville, North Carolina, EU With a 15-year career in the visual arts in the United States parallel between collective and individual exhibitions. Participation in international art festivals and former member of AC Garden Art in Mexico City for three years. Founder and honor member of Corredor Internacional del Arte in the Paseo Montejo of Merida, Yucatan.
Nietzche saw art as man’s struggle against negative social forces by use of the imagination, which he considered a product of pure ego. Art for him was the highest form of clear lucid thought, a tool for the good.
Schopenhauer envisioned art as a device of pleasure. Tolstoi viewed art as a propaganda and Oscar Wilde held to a doctrine of “art makes life”, meaning art is sometimes more real than reality.
I think the purest form of art is to give way to simple visual interest. To look at what you find yourself driven to see. Higher notions of art tend to confine art with lofty moral restrictions.
When art is passed off as a quasi-religion which can only be administered and interpreted by a special-order of priestly elites, the system invariably stifles imagination – even when the art is as liberal as blobs, slashes and splatters.
Art that has to serve as the instrument of artistic revolution is limited by having to react to a greater force in a continual hope of some overthrow, hence becoming the tool of reaction. Even the great revolt is enslaving.
But when all predetermined prejudices are momentarily set aside and you are one of the many at the scene of a horrible accident, your libido will do the looking. Something dead in the street commands more measure units of visual investigation than 100 Mona Lisas. It isn’t what you like; it’s what you really want to see! Art is not the slave of decoration. Hail the voyeur, the only honest connoisseur!